Put your station on unmetered bandwidth, so the audience can grow without the bill growing alongside it.
*IVA no incluido.
INCLUIDO EN CADA PLAN
AzuraCast puts the whole broadcast stack behind one interface. Icecast or SHOUTcast carries the stream while Liquidsoap drives the AutoDJ. Playlists, scheduling, live DJ handover and listener statistics all live in the same web application. A single install can run several stations at once. The project is AGPL licensed.
Commercial stream hosts price by listener slots and by bitrate, so a good night costs more than a quiet one and better audio means a bigger plan. Self-hosting changes the shape of that entirely. Quality becomes a setting rather than a tier. The ceiling on listeners is your bandwidth rather than your invoice. Plan for storage as well, since a library of a few thousand tracks fills a disk faster than most people expect.
Playlists, scheduling and crossfades run with nobody at the desk.
A presenter connects with any Icecast source client and AutoDJ steps aside.
Concurrent listeners and song history, exportable when a rights body asks.
Upload the library, build the playlists and the AutoDJ carries the schedule from there. A public player page and the stream URLs are generated for you, so the station is listenable the same day you set it up.
Each station gets its own media, its own playlists and its own mount points, all administered from the same login. Useful for a network of themed channels. Equally so if you host streams for other people.
A presenter connects with Mixxx, butt or any Icecast source client and takes the stream mid-flow. When the show ends the AutoDJ picks the schedule back up, so the station never falls silent between slots.
A few thousand tracks in decent quality runs to tens of gigabytes. Archives of past shows grow faster still. Keep AzuraCast on NVMe for the working set and mount a storage VPS once the archive gets heavy.
The project installs as a container stack, which keeps Icecast, Liquidsoap and the web application versioned together and makes updates a matter of pulling new images. It runs the same on a plain VPS or on a Docker VPS.
Point the new server at your existing library, rebuild the playlists and update the stream URL wherever it's published. What changes afterwards is the pricing model: the slot limit disappears, so a busy evening stops being something to worry about.
Despliega cualquier plantilla y especialistas certificados cubren todo a nivel de servidor, 24/7 y en varios idiomas. Está incluido en cada plan, perfeccionado a lo largo de 17 años gestionando infraestructura.
One 128 kbps stream with fifty people listening moves about 2 TB in a month. That is a modest station. Traffic here is unmetered on a 1 Gbps port, so an evening that goes well costs exactly what a quiet one does.
A music library takes room. Recordings of past shows take even more. Start on NVMe, resize when the library outgrows the plan, then move the archive to a storage VPS where the cost per gigabyte drops sharply.
Distance shows up as buffering on a live stream more obviously than it does on a web page. Nine locations across Europe, the UK and the USA means the server can sit near the audience you already have.
Icecast and SHOUTcast listen on ports nobody else uses, with source clients connecting inbound. Full root on KVM plus firewall control means opening exactly what the stream needs, which shared hosting will never allow.

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